The protagonist of Toni Morrison?s Song of Solomon, Milkman Dead, experiences a drastic transition throughout the entirety of the novel. From the opening scene to Milkman?s terminal leap of faith, the symbolism of flying as a way of life of attaining freedom and escape is evidently a prevalent theme. It is Milkman?s unprecedented will to relieve himself from his soulless life that leads him on a journey to personal growth. But what sparked this will? First, his family ties, which allow made of him a self-absorbed man who is incapable of connecting with society. Second, he escapes from his last name, a name that represents perfectly every typical of Milkman?s distorted personality. During this journey that Milkman takes on, he is liberated. It is at the wind up of this journey towards enlightenment that Milkman is led to a final flight, a final soar towards freedom.
Throughout the novel, there is a dependable sense that Milkman is utterly incapable of connecting with others. This is seen as much on an emotional level as on a hearty level. Moreover, there is a striking disconnection with Milkman and African-Americans. This is mostly imputable to his back round; coming from one of the very fewer wealthy black families in the community, Milkman lived a life of prerogative and was ignorant to the racism around him.
In turn, he was destine apart from them. Not only is Milkman ostracized from the black community, but he remains distant and apart from society in general. In many ways, he is fighting or resisting against society?s strong current: Milkman closed his eyes and opened them. The highroad was even more crowded with people, all going in the direction he was coming from. All walking in haste and bumping against him. After a while he realized that nix was walking on the...
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