Translations although addressing a quite distant historical evokes many diametric and emotional reactions because of the texts relevance to the issues of a much closer prehistorical and the situation in Northern Ireland even today. The profligacy takes on a large responsibility by addressing a past which is held so close to peoples hearts. The tension that this causes within in play evokes a variety of different responses.
The play makes use of historical landmarks to engage the audience giving them a place in history to relate to. They are also used for melodramatic irony, Maire remarks Sweet God did the potatoes ever fail in Baile Beg? She dialog about how people sniff around for disaster postponement for the potato crop to fail. The audience knows the play is only mark a few years prior to the potato famine. This pattern is with us all the way through the play. It adds a genius of futility to their lives and their actions because whatever attempts are made to save this culture or the Gaelic language inevitably the potato famine among some other things, will take everything away from them.
The actors are representing people in a world that we can never actually know. It is an exaggerated, upbeat view of the past. The text is reluctant to accept the decline of Gaelic.
The accompaniment that the play is written and performed in English and that there is more than Latin and Greek in the play than Gaelic emphasizes the event that without the change in culture, the decline of Gaelic and eventually the development of Ireland, Irish writing and writers would not have been known. The play is more sentimental that realistic, what the play is mourning is actually responsible for its existence.
This sentimentalism evokes deuce reactions, the first is mourning,
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