Nora\'s Transformation - Child to Adult

The realism famous play, A chicks House, by Henrik Ibsen, is focus on upon the injustices women faced in society, and much specifically within their marri suppurates during the 19th century. To portray that era, Ibsens play, focuses on the subordinate role that, Nora Helmer, the master(prenominal) character, plays compared to that of her husband. Nora, like all wives of the time, lived a life revolving around her husbands. His views, beliefs, and observes, were mechanically hers with no argument or second-guessing. From a young age she embraced this role in society. However, as the play progresses and the story evolves, so does she. Over the course of a holiday weekend, and the three acts in the play, Noras character goes from macrocosm a doll pip-squeak and doll wife, to a strong, main(a) woman. Nora acts childishly in the initiative act, contemplates intensely in the second, and achieves a priceless sense of globe during the finale act of the play.\nIn Act one, Nora tries hard to admit with the social rules to act as a good wife, produce and daughter (Wong). However, in the meantime, Nora shows her fundamental desire to be an individual, and more than importantly her childlike characteristics, threw acts of defiance and carelessness. Torvald, Noras husband, imposes rules for which she is to follow. Instead of organism an adult and addressing her concerns about thus rules, she simply breaks them behind his back, as a child is modify to doing. For instance, Nora is forbidden to eat macaroons, precisely does so any way. When this occurs, Torvald asks her is she has, been nibbling sweets, to which she replies wholeheartedly, No, certainly non/ I should not think of going against your wishes (Ibsen). This alimentation of a macaroon portrays her childlike qualities in two separate ways. For one, she surrendered to Torvald by allowing such a topic become a rule in the first place, ultimately showing her lack of act upon or desire to tie-up up f or her belie...