Designers, unlike artists, can’t follow their creative impulses, they E

Designers, unlike artists, cant follow their notional impulses, they break down in a commercial purlieu, which means there atomic number 18 a huge numberof mootations influencing the design processThe work of a fashion designer is influenced by the demands of theindustry in which they work, which has both imperious and negativeinfluences on the creative process. This essay looks at some of the tombstone parameters that the fashion designer must work deep down, and theeffect that these factors nominate on the creative process and thefinished product.One key factor that affects the work of a designer is an element overwhich the individual had a veritable degree of control The come with thatthey choose to work for. There is a vast spectrum of elements thatvary from party to company and have on a knock on effect on what is pass judgment of the designer from company practices, culture, values andpolicies to the public perception of the company to the size andresources available within a given business. Ipsuis be a slightBritish company that design and manufacture casual wear, and providean example of how company constitution effects design. The company was setup with the aim of producing a solely fairly traded product. Inaddition to ensuring that all labourers ar fairly paid, Ipsuis impartonly use fairly traded fabrics which means a far to a greater extent limited choicefor the designer and considerably longer lead quantify for a new fabric.Designers in the upper end of the market, rely on their design team toproduce work that is in keeping with the compute they have worked hardto create. From a designers perspective it is practiced to be ableto move between different companies- giving the fortune to find abusiness that supports a designers vision.The next thing to consider after which company a designer works for istheir competition, both natural and external. Fashion design is ahighly competitive job market. Designers are oft given temporary contracts and only have a little(a) time to prove themselves before theiremployer looks elsewhere. This, coupled with a high target of redundancydue to the volatile nature of the market means that designers areunder constant pressure to be at the forefront of their industry. The favor of working in this competitive environment is that it spursthe designer on to pass on their best and results in hi... ...osts, so that is Tesco thatbenefits from increased profits. In this scenario, the designer doesnot see any benefit from the change to the law.Ultimately, the situation highlighted above leads onto the wholeness most(prenominal)important factor that drives the fashion industry and therefore whatis expected of a designer Profit. It considered acceptable by criticsthat the work of the artist often has a limited appeal. A designerwork must have a certain amount of mass appeal in magnitude for thegarments to sell well and take a shit a profit. All the other considerationslooked at in this essay in some way tie in to the issue of profit andthe best way in which to maximise this. This unavoidably puts thedesigner under certain pressures, which to varying extents limitstheir creativity. However this is a small price to pay for working ina commercial environment that gives designers a platform to get theirideas off paper and into the shops, that allows the designer emancipationto concentrate on their work whilst other business relatedconsiderations are taken care of by others and most importantly allowsthe designer to make a living out of the very thing they are mostpassionate about.