Does Malvolio deserve his fate?

Malvolios character and the misfortunes he encounters though out Twelfth wickedness provide a lot of the plays drollery scenes. His haughty and pretentious demeanour makes him easy to dislike, yet the treatment he receives is at times a little un bed and leads to the issue of whether or non Malvolio deserves his fate.In Act 1 of Twelfth Night the auditory modality is immediately presented with Malvolio as a portentous and arrogant homosexual who is excrete of self- acknowledge. He is shown as selfish and disillusioned with self-importance when un departing to bind out menial tasks like de activering a ring you might contain saved me pains even though it is part of his job. Blindly, he simultaneously criticises Festes escape of funniness and Olivia for laughing at it your ladyship takes delight in much(prenominal) a barren rascal, he arrogantly lectures his superiors showing that he thinks he is supra them.This disconfirming representation of Malvolio is continued into Act 2 where the auditory sense gets a glimpse of Malvolio as a puritanical killjoy. Before Malvolio even enters to lick an end to Sir toby fillpot jugs fun, Maria comments on her surprise that Olivia hasnt already called up her keeper Malvolio to do so. This shows how other characters to a fault think Malvolio is a curmudgeon. Our contempt for Malvolio increases travel along on when he enters and pop outs to tell the knights off, even though they be his social superiors. He accuses them of being mad of acting like tinkers who have no wit, manners, nor honesty. His remarks indicate that he turn overs they atomic number 18 acting like commoners and that he would never s in additionp to such a level, he believes he is above them. He is rude to them and also to Maria, who is his social equal, although he clearly doesnt think so if you prized my ladys favouryou would not give means for this uncivil rule.Malvolios relationships with the other characters in the play argon on the who le not very good. He does not evaluate them and they dislike and ridicule him. Sir Toby, Sir Andrew, Feste and Maria do not share Malvolios patronising, towering opinion of himself and they mimic him by singing at him and reminding him that he is no more than a steward. The audiences dislike for Malvolio is deepened when he leaves threatening to tell Olivia of their behavior by his hand, because of course, nobody likes a telltale. Later, Maria without delay calls Malvolio a puritan this raillery is apply to describe him as a religious killjoy who wishes to confab his strong, opinionated views on everybody else. Maria also calls Malvolio an affectioned ass showing that he is so deluded with such a high opinion of himself he believes everybody else should share it. This directly relates to Malvolio being vain about his committed Christian respects and portrays him as an outsider among more fun loving people.The language and imagery used to present Malvolio in the early stages of the play enforce a negative image of a rude, pompous and irritating man but he never actually does anything harmful or nasty. He genuinely prise his ladyship Olivia and is a loyal servant shown by his dismay at Sir Tobys behaviour, Is thither no respect for place, persons, nor time in you? His loyalty shows he understands the value of invest. He is clearly learned and articulate in speech, mitigation in voice and he is an efficient steward who, after all, is only doing his job.Prior to Malvolio receiving the false letter declaring Olivias love for him, he makes matters worse for himself by arrogantly imagining his conjugation to Olivia, to be Count Malvolio. This antagonising behaviour shows that Malvolio is very shallow and simply imagines the trappings of wealth sitting in my state, my officers around me and my branched velvet gown, his ideas are far above his station, he his developing his enjoyment of appearing important. When he picks the letter up and reads it, Malvolio al closely instantly relates Olivias love to himself, M why, that begins my name. This shows that his egotism lets him believe, with out question, he is the sort of man Olivia would fall in love with. He falls so easily into such a distinct trap that it is difficult not to believe that he deserves what is coming to him. He convinces himself, on the basis of very thin evidence, that this is confirmation of Olivias love for him, I will be point-device the very man. Unfortunately this means that Malvolios pomposity gets around out of control, I will wash off gross acquaintance and he becomes virtuoso(a)ly carried away with his dreams.Malvolio falls for the trick so entirely that he induces a little sympathy from the audience because he is so dark-green and easily deceived. He is a naturally ambitious person, a social climber who only wishes to fulfil his personal potential. Perhaps his imagination is a little over active but he isnt harming anybody with thoughts. Despite Malvolio s self-delusion the actions of the conspirators begin to appear a little spiteful and excessive, especially as they are already sowing the seeds for shape up misunderstandings within the play by forewarning Olivia of Malvolios madness.ironically Olivia calls for Malvolio because his seriousness suits her mood but his transformation to her requests surprises her, Smilst thou? Naively, Malvolio has meticulously executed the stupid requests including the trick of singularity and yellow stockings. He clearly believes that by doing this he will achieve greatness and nothing can come between him and the full prospects of his hopes. His semivowel high opinion of himself allows him to believe what he wants to, because of this he misunderstands everything Olivia says. When she instructs him to go to bed to rest period off his madness he believes she means to go to bed with her, Ill come to thee. Olivia shows concern for her loyal servant and asks for special care of her fellow. He also t akes these oral communication the wrong way and launches into a great speech about how she recognises him as her social equal and fellow. The scheme has succeeded to make Malvolio look completely unadvisable but the tricksters then begin to take things a little too far when they accuse him of being possessed.When Olivia departs the trick is rendered a success as Malvolio hath taken the infection of the device and fallen for it. The audience is reminded of Malvolios snobbishness, go off, I incarcerate you. This only encourages the kinsmen and servants involve they believe he is a lunatic, possessed by the devil, bewitched and attempt to convince Malvolio himself that he is mad, defy the devil. They wind him up and pretend to be concerned by calling him childishly affectionate label like chuck and biddy. Malvolio senses that they are ridiculing him, and getting annoyed he almost stoops to their element by telling them to go, hang yourselves all. The jest now goes one step further out of proportion when the conspirators decide they will imprison Malvolio. This, added to his evident dis prepareliness causes the audience to now feel sympathetic towards Malvolio.Maria and the others are tranquilize treating the muzzle as a bit of fun but the audience is able to see how it is getting out of control by the miscellany in Malvolios personality. They have begun to mess with his mind make him believe and they trick him into intellection he is talking to a priest but it is really Feste. This is belike in revenge to Malvolios remarks regarding Festes barren humour. Yet this deception increases sympathy for Malvolio because he doesnt deserve such mistreatment. Feste ridicules Malvolio with his disguise and mocks the stewards earlier behaviour by adopting a pompous voice that that is, is. Malvolios desperation is highlighted by speech like never was man thus wronged but Feste continues to accent and make Malvolio believe he is a lunatic and a hyperbolical fiend w ho is speaking the words of Satan.The teasing and accusations are the key to the audiences grieve for Malvolio. The treatment of their prisoner even becomes a little sinister when the conspirators try to manipulate Malvolio into thinking he is insane, windows transparent as barricadoes. Malvolio ceaselessly denies madness, I am not mad, and his language becomes simple, direct and honest showing that he is in control of what he is saying and steadfastly refuses all of Festes accusations, I am no more mad then you are. This is a complete variegate from his earlier pompous, lecturing tone of speech. He remains congregating to his Christian beliefs, an admirable quality, even when contradicting them would free him, no way extol his opinion. Even when Malvolios dignity is taken away, he insists on his sanity salubrious is my wits as any man but is not willing to divvy up his soul, however, Festes suggestion of this would increase sympathy for Malvolio, who is clearly not remotely m ad. His change in personality is evident when he speaks to the real Feste as an equal, live to be thankful.Malvolios honesty and devotion to his faith highlights the other characters worse flaws than hardly being pompous. Marias actions and words show her to be shallow and malicious, make him believe thou art Sir Topas. Festes teasing and deception is unwarranted and cruel, madman, thou errest. Sir Toby just wants to put an end to the sport for selfish reasons of not wanting to bear on Olivia further, not for the humanity of Malvolio. These characters do not understand the importance of trust or friendship, at least Malvolio respects the value of loyalty.In the lowest scene of the play, Malvolios letter to Olivia reveals how he has suffered, put me into darkness. He leaves his duty to Olivia in order to speak honestly of his injury. It is clear how much his dignity and feelings have been suffering without just reason and the treatment he has received has been appalling. Olivia s ympathises with him, this practice has most shrewdly passed upon thee and considers his fate to be excessive. It is difficult not to feel commiseration for Malvolio when he discovers he is the last to find out about the over-the-top trick that has been played upon him, poor foolthey baffled thee. Malvolios last words lack his usual dignity Ill be revenged on the whole study of you, these words show his anger and resentment towards people he believed he knew, his motive for revenge being the immense humiliation he has suffered.Malvolio is a loyal servant to Olivia and does far more to help her than the likes of Sir Toby or Feste. His personality flaws are not nearly as destructive as some other characters yet he is excessively punished for them. The joke would have been acceptable if it had only gone as far as to make him look a little foolish and remind him of his posture but unfortunately it was taken too far. Throughout Twelfth Night the audience is reminded of Malvolios pompo us and occasionally arrogant attitude, but despite his faults he still does not deserve his unkind fate.